A Small Warning
I photograph businesses through the people in them.
Which means that if your main priority is a comprehensive collection of bathrooms, plug sockets, meeting rooms, light switches, and seventeen slightly different angles of the reception area, I’m probably not your photographer.
That’s not because those things aren’t important.
It’s just that I’ve never looked at a beautifully photographed toilet and thought:
“Now I understand this business.”
Businesses are made of people.
The owner who built the business.
The person everybody comes back to see.
The atmosphere.
The quirks.
The relationships.
The dog who believes he runs the place.
The room is often the context.
The people are usually the story.
So yes, I’ll photograph the spaces that help tell the story.
But if your dream gallery is primarily an inventory of every room in the building, we may not be the best match.
If you’d rather show people what it feels like to work with you, we’ll probably get along very well.
A Small Warning
I photograph businesses through the people in them.
Which means that if your main priority is a comprehensive collection of bathrooms, plug sockets, meeting rooms, light switches, and seventeen slightly different angles of the reception area, I’m probably not your photographer.
That’s not because those things aren’t important.
It’s just that I’ve never looked at a beautifully photographed toilet and thought:
“Now I understand this business.”
Businesses are made of people.
The owner who built the business.
The person everybody comes back to see.
The atmosphere.
The quirks.
The relationships.
The dog who believes he runs the place.
The room is often the context.
The people are usually the story.
So yes, I’ll photograph the spaces that help tell the story.
But if your dream gallery is primarily an inventory of every room in the building, we may not be the best match.
If you’d rather show people what it feels like to work with you, we’ll probably get along very well.
A Small Warning
I photograph businesses through the people in them.
Which means that if your main priority is a comprehensive collection of bathrooms, plug sockets, meeting rooms, light switches, and seventeen slightly different angles of the reception area, I’m probably not your photographer.
That’s not because those things aren’t important.
It’s just that I’ve never looked at a beautifully photographed toilet and thought:
“Now I understand this business.”
Businesses are made of people.
The owner who built the business.
The person everybody comes back to see.
The atmosphere.
The quirks.
The relationships.
The dog who believes he runs the place.
The room is often the context.
The people are usually the story.
So yes, I’ll photograph the spaces that help tell the story.
But if your dream gallery is primarily an inventory of every room in the building, we may not be the best match.
If you’d rather show people what it feels like to work with you, we’ll probably get along very well.
WAYS TO WORK TOGETHER
WAYS TO WORK TOGETHER
Sometimes an hour is enough.
Sometimes there is more to explore.
Sometimes an hour is enough.
Sometimes there is more to explore.
Either way, we start with a conversation.
Either way, we start with a conversation.
PICK A TAPE
I don’t take on many clients at once. It’s the only way to do this properly.
PICK A TAPE
I don’t take on many clients at once. It’s the only way to do this properly.
£350
A single page. A thoughtful introduction. Perfect for those moments when you need a handful of strong images that capture who you are, what you do, or where you’re beginning. Before the session, you’ll receive a short questionnaire to help me understand you, your work, and what you’d like the photographs to communicate. • Up to 1 hour • 10 carefully selected edited images
A Glimpse
£350
A single page. A thoughtful introduction. Perfect for those moments when you need a handful of strong images that capture who you are, what you do, or where you’re beginning. Before the session, you’ll receive a short questionnaire to help me understand you, your work, and what you’d like the photographs to communicate. • Up to 1 hour • 10 carefully selected edited images
A Glimpse
£350
A single page. A thoughtful introduction. Perfect for those moments when you need a handful of strong images that capture who you are, what you do, or where you’re beginning. Before the session, you’ll receive a short questionnaire to help me understand you, your work, and what you’d like the photographs to communicate. • Up to 1 hour • 10 carefully selected edited images
A Glimpse
£895
A chapter rather than a page. More time to explore ideas, notice patterns, and create a richer collection of images. Before the session, you’ll receive an in-depth questionnaire designed to explore your work, your story, and what you’d like people to understand about you. We’ll also have a conversation before the shoot. • Half day (up to 4 hours) • 30 carefully selected edited images
The Deeper Layer
£895
A chapter rather than a page. More time to explore ideas, notice patterns, and create a richer collection of images.Before the session, you’ll receive an in-depth questionnaire designed to explore your work, your story, and what you’d like people to understand about you. We’ll also have a conversation before the shoot. • Half day (up to 4 hours) • 30 carefully selected edited images
The Deeper Layer
£895
A chapter rather than a page. More time to explore ideas, notice patterns, and create a richer collection of images. Before the session, you’ll receive an in-depth questionnaire designed to explore your work, your story, and what you’d like people to understand about you. We’ll also have a conversation before the shoot. • Half day (up to 4 hours) • 30 carefully selected edited images
The Deeper Layer
From £1850
Some stories need more than a chapter. This one begins before the shoot itself. We’ll have dedicated time where we can talk through ideas, themes, locations, symbolism, the people involved, and the story we’re trying to tell. I’ll spend time getting to know you, listening, and paying attention to the things that make what you do uniquely yours. This is the most collaborative and in-depth way to work together, with time to explore ideas, follow unexpected directions, and create a body of work that feels genuinely connected to who you are. You’ll also receive What I Noticed — a short written reflection on the themes, atmosphere, strengths, and observations that emerged during our time together. Get in touch for a tailored quote.
The Full Story
From £1850
Some stories need more than a chapter. This one begins before the shoot itself. We’ll have dedicated time where we can talk through ideas, themes, locations, symbolism, the people involved, and the story we’re trying to tell. I’ll spend time getting to know you, listening, and paying attention to the things that make what you do uniquely yours. This is the most collaborative and in-depth way to work together, with time to explore ideas, follow unexpected directions, and create a body of work that feels genuinely connected to who you are. You’ll also receive What I Noticed — a short written reflection on the themes, atmosphere, strengths, and observations that emerged during our time together. Get in touch for a tailored quote.
The Full Story
From £1850
Some stories need more than a chapter. This one begins before the shoot itself. We’ll have dedicated time where we can talk through ideas, themes, locations, symbolism, the people involved, and the story we’re trying to tell. I’ll spend time getting to know you, listening, and paying attention to the things that make what you do uniquely yours. This is the most collaborative and in-depth way to work together, with time to explore ideas, follow unexpected directions, and create a body of work that feels genuinely connected to who you are. You’ll also receive What I Noticed — a short written reflection on the themes, atmosphere, strengths, and observations that emerged during our time together. Get in touch for a tailored quote.
The Full Story
SO YOU ARE STILL CURIOUS
SO YOU ARE STILL CURIOUS
How the business works, why it works that way, how it became this particular thing. I’m interested in the person running it because a surprising amount of the business lives inside your head. My training allows me to work this way. Social work, positive psychology, coaching psychology and therapeutic photography—years of learning how to enter a world I’m not from without assuming I already understand it.
From the inside out
Looking beneath the visible
How the business works, why it works that way, how it became this particular thing. I’m interested in the person running it because a surprising amount of the business lives inside your head. My training allows me to work this way. Social work, positive psychology, coaching psychology and therapeutic photography—years of learning how to enter a world I’m not from without assuming I already understand it.
From the inside out
Looking beneath the visible
How the business works, why it works that way, how it became this particular thing. I’m interested in the person running it because a surprising amount of the business lives inside your head. My training allows me to work this way. Social work, positive psychology, coaching psychology and therapeutic photography—years of learning how to enter a world I’m not from without assuming I already understand it.
From the inside out
Looking beneath the visible
A holding space
The way I work with people has a name, and I borrowed it from social work. Holding space. Mine is portable.
It’s hard to describe if you’ve never been in one, so here’s the opposite. Think of every conversation where you could feel the other person waiting for you to finish. Where you gave the sensible, polished version of what you do. Where you said “anyway, sorry, I’m rambling” and stopped talking about the part of your business you actually care about. None of that happens here. You can ramble. That’s usually where the good bits live.
That kind of space doesn’t need a studio. It’s made out of the way I am with you, which means I can take it anywhere.
Read more
A holding space
The way I work with people has a name, and I borrowed it from social work. Holding space. Mine is portable.
It’s hard to describe if you’ve never been in one, so here’s the opposite. Think of every conversation where you could feel the other person waiting for you to finish. Where you gave the sensible, polished version of what you do. Where you said “anyway, sorry, I’m rambling” and stopped talking about the part of your business you actually care about. None of that happens here. You can ramble. That’s usually where the good bits live.
That kind of space doesn’t need a studio. It’s made out of the way I am with you, which means I can take it anywhere.
Read more
(01)
My full attention.
When I’m with you, I’m with you. I’m not waiting for my turn to speak or trying to steer everything back towards a photograph I had already imagined. Full attention isn’t something I can mass-produce, which is why I don’t pack my diary with shoots. I’d rather do it properly for a few people than half of it for everyone.
(02)
Genuine curiosity.
I listen, ask questions and follow where your answers lead. Sometimes another question appears, followed by another one, and we end up in a part of the business you weren’t expecting to talk about. I want to understand the things that make perfect sense to you but may require further explanation for the rest of us.
(02)
Genuine curiosity.
I listen, ask questions and follow where your answers lead. Sometimes another question appears, followed by another one, and we end up in a part of the business you weren’t expecting to talk about. I want to understand the things that make perfect sense to you but may require further explanation for the rest of us.
(03)
Choice.
You decide what you share and what you keep. You don’t have to hand over your whole life story just because I’ve turned up with a camera.
(04)
Safety and care.
People can become vulnerable around me and still feel okay. Vulnerability isn’t required and it isn’t something I’m trying to produce. But if it appears, I’ll meet it with care rather than embarrassment, judgement or an immediate attempt to turn it into content.
(05)
Play
Not everything has to be discovered by sitting sensibly and discussing it. We can follow an odd idea, use an object, make something, move around or try a photograph simply because we’re curious about what might happen. We can be sensible again later.
The possibility of seeing yourself differently.
The possibility of seeing yourself differently.
I can’t promise transformation on demand. That sounds exhausting for everyone. But having this kind of attention and space may help you reconnect with yourself and your business, notice something new about it, or recognise what you want other people to see.
And the whole time, I’m picking things up. That’s the documentary training. The way you hold a tool you’ve held ten thousand times. The route you take round your own workshop without thinking about it. The thing you do at four o’clock every day that you’ve never once described to anyone, because why would you.
Some of the photographs happen right there. Others we build afterwards, once we know what we’re looking for—set up properly, thought about, made together. Both come out of the same conversation. They are not simply pictures taken once we’ve finished talking. They are part of what we discover and make together.
I can’t promise transformation on demand. That sounds exhausting for everyone. But having this kind of attention and space may help you reconnect with yourself and your business, notice something new about it, or recognise what you want other people to see.
And the whole time, I’m picking things up. That’s the documentary training. The way you hold a tool you’ve held ten thousand times. The route you take round your own workshop without thinking about it. The thing you do at four o’clock every day that you’ve never once described to anyone, because why would you.
Some of the photographs happen right there. Others we build afterwards, once we know what we’re looking for—set up properly, thought about, made together. Both come out of the same conversation. They are not simply pictures taken once we’ve finished talking. They are part of what we discover and make together.
Impact
So why are we making these photographs?
There should probably be a point to all this.
The impact won’t be the same for everyone. It would make my job considerably easier if there was a standard answer hiding somewhere in my camera bag.
And that’s why the photography packages don’t become more valuable simply because there are more photographs. Otherwise,I could just keep pressing the shutter.
They become more valuable because there is more opportunity to understand who you really are and what your business is about.
I don’t decide what the impact should be. We establish it together.
Then reality gets to tell us what the real impact actually was.
Impact
Impact
So why are we making these photographs?
There should probably be a point to all this.
The impact won’t be the same for everyone. It would make my job considerably easier if there was a standard answer hiding somewhere in my camera bag.
And that’s why the photography packages don’t become more valuable simply because there are more photographs. Otherwise, I could just keep pressing the shutter.
They become more valuable because there is more opportunity to understand who you really are and what your business is about.
I don’t decide what the impact should be. We establish it together.
Then reality gets to tell us what the real impact actually was.
What could happen?
Every project is different, but here are some of the things my clients have experienced (Not a checklist, just possibilities.)
Every project is different, but here are some of the things my clients have experienced (Not a checklist, just possibilities.)
Be understood
Communicate your values
Show what makes you different
Create connection
Build trust
Attract the right clients
Feel like you
Ready?
Not quite your cup of tea?
No hard feelings. Back to the hall you go.
Not quite your cup of tea?
No hard feelings. Back to the hall you go.
Ask me for the introduction pack — prices, timing, how it all works.
How the business works, why it works that way, how it became this particular thing. I’m interested in the person running it because a surprising amount of the business lives inside your head. My training allows me to work this way. Social work, positive psychology, coaching psychology and therapeutic photography—years of learning how to enter a world I’m not from without assuming I already understand it.
From the inside out
Looking beneath the visible
How the business works, why it works that way, how it became this particular thing. I’m interested in the person running it because a surprising amount of the business lives inside your head. My training allows me to work this way. Social work, positive psychology, coaching psychology and therapeutic photography—years of learning how to enter a world I’m not from without assuming I already understand it.
From the inside out
Looking beneath the visible
A holding space
The way I work with people has a name, and I borrowed it from social work. Holding space. Mine is portable.
It’s hard to describe if you’ve never been in one, so here’s the opposite. Think of every conversation where you could feel the other person waiting for you to finish. Where you gave the sensible, polished version of what you do. Where you said “anyway, sorry, I’m rambling” and stopped talking about the part of your business you actually care about. None of that happens here. You can ramble. That’s usually where the good bits live.
That kind of space doesn’t need a studio. It’s made out of the way I am with you, which means I can take it anywhere.
Imagine a blanket I can carry with me and unfold wherever we happen to be working. It can appear around a kitchen table, in your workshop, on a walk, or wherever your world happens to be.
There’s room on it to think, wonder, contradict yourself, laugh, or admit you have no idea how any of this would look in a photograph.
It’s not a big blanket, but we can start here.
Take your time
(01)
My full attention.
When I’m with you, I’m with you. I’m not waiting for my turn to speak or trying to steer everything back towards a photograph I had already imagined. Full attention isn’t something I can mass-produce, which is why I don’t pack my diary with shoots. I’d rather do it properly for a few people than half of it for everyone.
(02)
Genuine curiosity.
I listen, ask questions and follow where your answers lead. Sometimes another question appears, followed by another one, and we end up in a part of the business you weren’t expecting to talk about. I want to understand the things that make perfect sense to you but may require further explanation for the rest of us.
(03)
Choice.
You decide what you share and what you keep. You don’t have to hand over your whole life story just because I’ve turned up with a camera.
(04)
Safety and care.
People can become vulnerable around me and still feel okay. Vulnerability isn’t required and it isn’t something I’m trying to produce. But if it appears, I’ll meet it with care rather than embarrassment, judgement or an immediate attempt to turn it into content.
(05)
Play
Not everything has to be discovered by sitting sensibly and discussing it. We can follow an odd idea, use an object, make something, move around or try a photograph simply because we’re curious about what might happen. We can be sensible again later.
The possibility of seeing yourself differently.
I can’t promise transformation on demand. That sounds exhausting for everyone. But having this kind of attention and space may help you reconnect with yourself and your business, notice something new about it, or recognise what you want other people to see.
And the whole time, I’m picking things up. That’s the documentary training. The way you hold a tool you’ve held ten thousand times. The route you take round your own workshop without thinking about it. The thing you do at four o’clock every day that you’ve never once described to anyone, because why would you.
Some of the photographs happen right there. Others we build afterwards, once we know what we’re looking for—set up properly, thought about, made together. Both come out of the same conversation. They are not simply pictures taken once we’ve finished talking. They are part of what we discover and make together.
Impact
So why are we making these photographs?
There should probably be a point to all this.
The impact won’t be the same for everyone. It would make my job considerably easier if there was a standard answer hiding somewhere in my camera bag.
And that’s why the photography packages don’t become more valuable simply because there are more photographs. Otherwise,I could just keep pressing the shutter.
They become more valuable because there is more opportunity to understand who you really are and what your business is about.
I don’t decide what the impact should be. We establish it together.
Then reality gets to tell us what the real impact actually was.
Impact
So why are we making these photographs?
There should probably be a point to all this.
The impact won’t be the same for everyone. It would make my job considerably easier if there was a standard answer hiding somewhere in my camera bag.
And that’s why the photography packages don’t become more valuable simply because there are more photographs. Otherwise, I could just keep pressing the shutter.
They become more valuable because there is more opportunity to understand who you really are and what your business is about.
I don’t decide what the impact should be. We establish it together.
Then reality gets to tell us what the real impact actually was.
What could happen?
Every project is different, but here are some of the things my clients have experienced (Not a checklist, just possibilities.)
Be understood
Communicate your values
Show what makes you different
Create connection
Build trust
Attract the right clients
Feel like you
Ready?
Not quite your cup of tea?
No hard feelings. Back to the hall you go.
Ask me for the introduction pack — prices, timing, how it all works.